New York

The Ambassador in 2015 - New York

Built by the Shuberts in 1921. Home to the New York premieres of Blossom Time in 1921 (Berté’s Das Dreimäderlhaus, Vienna 1916, arranged by Romberg), The Lady in Ermine in 1922 (Gilbert’s Die Frau im Hermelin, Berlin 1919), and Caroline in 1923 (Künneke’s Der Vetter aus Dingsda, Berlin 1921).

The Hirschfeld in 2015 - New York

Built as the Martin Beck in 1924. Home to the New York premieres of Mme. Pompadour in 1924 (Fall, Berlin 1922), and Happy End (Brecht, Hauptmann, and Weill, Berlin 1929). The latter had to wait till 1977.

The Imperial in 2015 - New York

Built by the Shuberts in 1923 as a replacement for the Lyric. Home to the New York premiere of Frederika in 1937 (Lehár’s Friederike, Berlin 1928).

The Lunt Fontanne in 2015 - New York

Built by Charles Dillingham as the Globe in 1910. Home to the New York premieres of The Girl in the Train in 1910 (Fall’s Die geschiedene Frau, Vienna 1908), Gypsy Love in 1911 (Lehár’s Zigeunerliebe, Vienna 1910), The Rose Maid in 1912 (Granichstaedten’s Bub oder Mädel?, Vienna 1908), The Doll Girl in 1913 (Fall’s Das Puppenmädel, Vienna 1910), and The Queen of the Movies in 1914 (Gilbert’s Die Kino-Königin, Berlin 1913).

The Majestic in 2015 - New York

Built by the Chanin Brothers in 1927 and purchased by the Shuberts in the Depression. Home to the New York premiere of Three Waltzes in 1937 (Straus’s Die drei Wälzer, Zurich 1935).

The New Amsterdam in 2015 - New York

Built by Klaw and Erlanger in 1903. Home to the New York premieres of The Merry Widow in 1907 (Lehár's Die lustige Witwe, Vienna 1905), The Spring Maid in 1910 (Reinhardt’s Die Sprudelfee, Vienna 1909), The Love Cure in 1909 (Eysler’s Künstlerblut, Vienna 1906), Madame Sherry in 1910 (Felix, Berlin 1902, recomposed by Hoschna, 1910), The Count of Luxembourg in 1912 (Lehár, Vienna 1909), Eva in 1912 (Lehár, Vienna 1911), My Little Friend in 1913 (Straus’s Die kleine Freudin, Vienna 1911), Maids of Athens in 1914 (Lehár’s Das Fürstenkind, Vienna 1909), Miss Springtime in 1916 (Kálmán’s Die Faschingsfee, Vienna 1917, originally Zsuzsi kisasszony, Budapest 1912), and The Riviera Girl in 1917 (Kálmán’s Die Csárdásfürstin, Vienna 1915).

The Shubert in 2015 - New York

Built by the Shuberts in 1913. Home to the New York premieres of Alone at Last in 1915 (Lehár’s Endlicht Allein, Vienna 1914), Phoebe of Quality Street in 1921 (Kollo’s Drei alte Schachteln, Berlin 1917), Sky High in 1925 (Stolz’s Der Tanz ins Glück, Vienna 1920), Countess Maritza in 1926 (Kálmán’s Gräfin Mariza, Vienna 1924), The Red Robe in 1928 (Gilbert’s Das Weib in Purpur, Vienna 1923), Three Little Girls in 1930 (Kollo’s Drei arme kleine Mädels, Berlin 1927), Meet My Sister in 1930 (Benatzsky’s Meine Schwester und ich, Berlin 1930), and Yours Is My Heart in 1946 (Lehár’s Das Land des Lächelns, Berlin 1929).

The St James in 2015 - New York

Built as Erlanger’s Theatre in 1927. It became the St James in 1932. Home to revivals of The Chocolate Soldier (Straus's Der tapfere Soldat, Vienna 1908) in 1931 and 1934.

The Winter Garden in 2015 - New York

Built in 1911 and renovated by the Shuberts in 1922. Home to the New York premieres of Vera Violetta in 1911 (Eysler, Vienna 1907), and The Circus Princess in 1927 (Kálmán’s Die Zirkusprinzessin, Vienna 1926).