London

The Gaiety Theatre in 1933 - London

Advertising the production of Mother of Pearl (1933), starring Alice Delysia as Josephine Pavani. This was the English adaptation of Oscar Straus's Eine Frau, die weiß, was sie will! (Berlin 1932). Other operettas at the Gaiety were The Girl on the Film in 1913 (Kollo's Filmzauber, Berlin 1912), The Last Waltz in 1922 (Straus's Der letzte Walzer, Berlin 1920), Katja the Dancer in 1925 (Gilbert's Katja die Tänzerin, Vienna 1922), Künneke's Riki-Tiki, 1926 (to an English text), Gilbert's The Girl from Cook's, 1927 (to an English text)

Empire Theatre in 1905 - London

Empire Theatre in 1905. Home to the London premieres of The Lilac Domino in 1918 (Cuvillier’s Der lila Domino, Leipzig 1912), Love’s Awakening in 1922 (Künneke’s Wenn Liebe erwacht, Berlin 1920), and The Three Graces in 1924 (Lehár’s Der Libellentanz, Vienna 1923).

Lyceum Theatre in 2015 - London

Home to the London premiere of Lehár’s Paganini (Vienna 1925) in May 1937.

Daly’s Theatre in 1904

0 Daly’s Theatre in 1904

Daly's Theatre in 1904. It was home to the London premieres of The Merry Widow (1907, revival 1923), The Dollar Princess (1909, revival 1925), A Waltz Dream revival (1911), The Count of Luxembourg (1911), Gipsy Love (1912), Jacobi’s The Marriage Market (1913) and Sybil (1921), Gilbert’s The Lady of the Rose (1922, revival 1929) and Katja the Dancer (transferred from the Gaiety in 1922), Fall’s Madame Pompadour (1923), Straus’s Cleopatra (1925), Gilbert’s Yvonne (1926), Lehár’s The Blue Mazurka (1927), Lilac Time revivals (1927, 1928), and Sirmay’s Lady Mary (1928).

Drury Lane in 2016

Drury Lane in 2016. It was home to the London premieres of The Land of Smiles (1931), Wild Violets (1932), Ball at the Savoy (1933). and Rise and Shine (1936).

Her Majesty’s, in restoration 2016

Her Majesty's Theatre in restoration, 2016. It was home to the London premieres of Sirmay’s The Bamboula (1925), Straus’s Mariette (1928), The Song of the Sea in 1928 (Künneke’s Lady Hamilton, 1926), and The Dubarry (1932).

Hick’s Theatre (now the Gielgud) in 2016

Hick's Theatre, now the Gielgud, in 2016. It was home to the London premiere of Straus’s A Waltz Dream (1908).

London Coliseum in 2016

London Coliseum in 2016. It was home to the London premieres of Straus’s The Dancing Viennese (1912), Darby and Joan (Fall’s Brüderlein fein, 1909), Benatzky’s White Horse Inn (1931) and Casanova (1932), and a revival of Lilac Time in 1936.

Hippodrome in 2016

London Hippodrome in 2016. Home to the London premieres of Lehár’s Mitislaw, or The Love Match (1909), Leo Fall’s The Eternal Waltz (1911), Richard Fall’s Arms and the Girl (1912), Kálmán’s The Blue House (1912), and The Merry Widow revival (1932).

Lyric Theatre in 2016

Lyric Theatre in 2016. Home to the London premieres of The Chocolate Soldier in 1910 (Straus’s Der tapfere Soldat), The Girl in the Taxi in 1912 (Gilbert’s Die keusche Susanne, 1910), Straus’s Love and Laughter (1913), Kálmán’s A Little Dutch Girl (1920), Whirled into Happiness in 1922 (Stolz’s Der Tanz ins Glück, 1920), and Lilac Time (1922).

Palace Theatre in 2016

Palace Theatre in 2016. Home to the London premieres of Lehár’s Frederica (1930), Sirmay’s Princess Charming (1926), Abraham’s Viktoria and Her Hussar (1931), and Kálmán’s Maritza (1938).

Prince of Wales’s Theatre in 2016

Prince of Wales’s Theatre in 2016. Home to the London premieres of Kálmán’s The Gipsy Princess (1921), and The Blue Train in 1927 (Stolz’s Mädi, 1923).

Prince’s Theatre (now the Shaftesbury) in 2016

Prince’s Theatre (now the Shaftesbury) in 2016. Home to the London premieres of The Cousin from Nowhere in 1923 (Künneke’s Der Vetter aus Dingsda, 1921), Lehár’s Frasquita (A Gipsy Maid) in 1925, Tauber’s Old Chelsea (1943), and Straus’s Three Waltzes (1945)

Shaftesbury Theatre in 1939

Shaftesbury Theatre in 1939. Home to the London premieres of Princess Caprice in 1912 (Fall’s Der liebe Augustin, 1912), Felix’s The Pearl Girl (1913), Gilbert’s The Cinema Star (1913), Toni in 1924 (Hirsch’s Der Fürst von Pappenheim, 1923), Lehár’s Clo-Clo (1925), My Son John in 1926 (Straus’s Mein junger Herr, 1910), and Benatzky’s My Sister and I (1931).